Based on the familiar style of the Great Western Railway, these non-working plastic kits include pre-painted semaphore arms, an etched metal ladder and separate coloured spectacles for the signal arms themselves. Home/starter variants can be created from the LK12141, or both a home and distant signal on the one post. The fine mouldings, once assembled and painted, create a lovely, characterful model of these iconic signals.

Based on the familiar style of the Great Western Railway, these non-working plastic kits include pre-painted semaphore arms, an etched metal ladder and separate coloured spectacles for the signal arms themselves. Home/starter variants can be created from the LK12141, or both a home and distant signal on the one post. The fine mouldings, once assembled and painted, create a lovely, characterful model of these iconic signals.

Based on the familiar style of the Great Western Railway, these non-working plastic kits include pre-painted semaphore arms, an etched metal ladder and separate coloured spectacles for the signal arms themselves. Home/starter variants can be created from the LK12141, or both a home and distant signal on the one post. The fine mouldings, once assembled and painted, create a lovely, characterful model of these iconic signals.

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

This style of modern seating is prevalent across all stations in the UK now, and no doubt they can be found elsewhere around the world. In N scale the kit is a one-piece moulding. The seats are mounted into the platform surface once a small hole has been drilled to accept the seat supports. Each pack contains 12 seats.

This style of modern seating is prevalent across all stations in the UK now, and no doubt they can be found elsewhere around the world. In OO/HO scale the kits comprise of two parts that need to be glued together. The modeller will need to paint them, and there are a number of colour options suitable, according to their location. The seats are mounted into the platform surface once a small hole has been drilled to accept the seat supports. Each pack contains 12 seats.

These towers are an impressive sight and were an essential feature on mainline railways. The Pecoscene ranges provide the perfect loading material, Real Coal (PS-330 -332), Limestone (PS-342 and 3), Sand (PS-344), Iron Ore (PS-340), Grey Stone (PS-300- 307), and Brown Stone (PS-310 - 317) for a quarry, mine or pit loading hopper. Supplied with pre-coloured parts although painting and/or weathering can add realism (See the Pecoscene Weathering Powder range PS-360 - 365); glue is required to complete this model. Footprint: 64mm x 50mm, Height 95mm

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

Monkton Combe, einst eine Zwischenstation der lange geschlossenen Camerton-Filiale in der Nähe von Bath, rückte 1952 ins Rampenlicht, als es als Drehort für die berühmte Ealing-Komödie „The Titfield Thunderbolt“ ausgewählt wurde.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

The NEW Laser-Cut Victorian Houses

Alongside almost any railway there will be houses, and in model form it will be the low-relief buildings that will be of particular interest to modellers, especially as a feature along the backscene. We have been working hard to develop a new range of low-relief house fronts and backs, as well as the full building and we start off here with a typical semi-detached brick house typical of the Victorian period in Britain. You will be familiar with this style of house as they are still everywhere in the UK!

Our kits have been carefully designed for ease of assembly and feature some lovely detail. The texture of the laser-cut surface replicates the brick courses and slate tiles perfectly. Detailing around the windows and doors and the inclusion of guttering and downpipes is noteworthy, as are the curtains in the window and the provision of additional dormers (house backs kit) and bay windows (house front kit), plus the optional pavement around the base. The dormers, bay windows and pavement are included in the LK-208 full house kit too!

Several kits can be combined to create a terrace of houses, so commonly seen in locations around the country in relation to the railways. A row of house backs alongside the railway and against the backscene, a row of house fronts high on a hill above the station, or a street of semi-detached houses in a town scene, the possibilities are endless! The kits will need painting so the modeller can personalise each one, so necessary when you create a terrace of buildings. No two houses would ever be the same. Acrylic paints are best. We demonstrate this in our new PECO TV video.

The NEW Laser-Cut Victorian Houses

Alongside almost any railway there will be houses, and in model form it will be the low-relief buildings that will be of particular interest to modellers, especially as a feature along the backscene. We have been working hard to develop a new range of low-relief house fronts and backs, as well as the full building and we start off here with a typical semi-detached brick house typical of the Victorian period in Britain. You will be familiar with this style of house as they are still everywhere in the UK!

Our kits have been carefully designed for ease of assembly and feature some lovely detail. The texture of the laser-cut surface replicates the brick courses and slate tiles perfectly. Detailing around the windows and doors and the inclusion of guttering and downpipes is noteworthy, as are the curtains in the window and the provision of additional dormers (house backs kit) and bay windows (house front kit), plus the optional pavement around the base. The dormers, bay windows and pavement are included in the LK-208 full house kit too!

Several kits can be combined to create a terrace of houses, so commonly seen in locations around the country in relation to the railways. A row of house backs alongside the railway and against the backscene, a row of house fronts high on a hill above the station, or a street of semi-detached houses in a town scene, the possibilities are endless! The kits will need painting so the modeller can personalise each one, so necessary when you create a terrace of buildings. No two houses would ever be the same. Acrylic paints are best. We demonstrate this in our new PECO TV video.

NEW Laser-Cut Wooden Victorian Houses

Alongside almost any railway there will be houses, and in model form it will be the low-relief buildings that will be of particular interest to modellers, especially as a feature along the backscene. We have been working hard to develop a new range of low-relief house fronts and backs, as well as the full building and we start off here with a typical semi-detached brick house typical of the Victorian period in Britain. You will be familiar with this style of house as they are still everywhere in the UK!

Our kits have been carefully designed for ease of assembly and feature some lovely detail. The texture of the laser-cut surface replicates the brick courses and slate tiles perfectly. Detailing around the windows and doors and the inclusion of guttering and downpipes is noteworthy, as are the curtains in the window and the provision of additional dormers (house backs kit) and bay windows (house front kit), plus the optional pavement around the base. The dormers, bay windows and pavement are included in the LK-208 full house kit too!

Several kits can be combined to create a terrace of houses, so commonly seen in locations around the country in relation to the railways. A row of house backs alongside the railway and against the backscene, a row of house fronts high on a hill above the station, or a street of semi-detached houses in a town scene, the possibilities are endless! The kits will need painting so the modeller can personalise each one, so necessary when you create a terrace of buildings. No two houses would ever be the same. Acrylic paints are best. We demonstrate this in our new PECO TV video.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.

A great new range of ready-painted lineside accessories. These models are cast in an acrylic polymer plaster mix - a perfect material with which to create some very convincing detail, and they are then painted and distressed for authenticity.

Designed and produced in Edinburgh for PECO by Jim Burns. The result is a very convincing and realistic looking model that will fit in most areas of a layout.